Bob’s book reaches p.79 and the line the whole session turns on: our tools no longer shape us, they ape us — the graphic interface making media “look like people,” talking cartoons on a screen . From that pun Bob and Cameron build toward “tactility squared,” the point where the Android Meme cuts technology loose from the Chemical Body and media goes “out of control” , then follow the idea across a Victorian detour, a full theory of Presidents as images, and the Chip Body turning “self-conscious.” The long arc lands on a single stake: Mind itself, cast as the fifth-phase victim, and the “new science” of reading the pattern-recognition everyone is already doing without noticing .

Key Topics

  • Tactility recast as a manifestation, not a sense — Cameron’s carbon-and-graphite analogy for how one structure surfaces as a car’s gloss or a TV show’s crudeness (“manifestations of tactility”).
  • The Victorian “supernova” of “human interest” journalism — the penny press’s nonstop talk that McLuhan said “took over in journalism,” with W.T. Stead standing at the hinge.
  • A global “seatbelt”: hockey and NFL rules read as the populist media ecology strapped onto the TV Body, sport as “the language of art” for post-literate people.
  • Chaos physics, Get Smart’s KAOS, and “tetrad management” — order glimpsed in the maelstrom, with the White House no longer able to manage even itself.
  • A theory of US Presidents as images, from Nixon’s deadpan “demeanor” to Obama’s “black sobriety.”
  • The Chip Body turning “self-conscious,” surveillance capitalism, and the firms McLuhan told were “in the wrong business.”

Notable Quotes

"So the Android Meme is the squaring of tactility."
Bob Dobbsasserted#
Bob Dobbs, The Resonant Interval, Dialogue 42 (9 Dec 2021), 23:31
"The electric media is the Fifth Horseman of the Apocalypse. Not seen."
Bob Dobbsasserted#
Bob Dobbs, The Resonant Interval, Dialogue 42 (9 Dec 2021), 1:46:07
"We're either going to suicide ourselves through mind, or mind is going to find a way out of the cul-de-sac."
Cameron McEwenasserted#
Cameron McEwen, The Resonant Interval, Dialogue 42 (9 Dec 2021), 1:54:19

Outline

  • 0:00:01 — Aping, not shaping: p.79
  • 0:02:47 — Sex, death, and mimed humanity
  • 0:07:52 — Tactility as manifestation, not a sense
  • 0:12:56 — Mind as tactility; the battle for men’s minds
  • 0:18:49 — The Victorian supernova: human interest
  • 0:27:10 — Gargoyle mask vs idiot mask
  • 0:32:02 — Canada and the butler’s detachment
  • 0:43:18 — The seatbelt on the TV Body
  • 0:50:04 — The Baroque spiral: maelstrom and fractal
  • 0:51:10 — Chaos, KAOS, and Tetrad management
  • 0:56:17 — Presidents as images
  • 01:01:25 — Rap, the electric eternity, and the Reagan retrieval
  • 01:12:32 — Homelessness, virtue, and the new hypocrisy
  • 01:32:08 — The Chip Body, self-conscious, and surveillance capitalism
  • 01:41:24 — The Fifth Horseman: media as Apocalypse
  • 01:52:56 — Mind, the New Science, and extending the learning process
  • 01:58:45 — We’re not getting dumber: complex clairvoyance
  • 02:02:58 — Closing: writing ahead of himself

Mentioned Resources

Works by McLuhan

  • Understanding Media (1964) — source of “human interest took over in journalism” and the line that we would become “drifting homeless people”
  • Take Today: The Executive as Dropout — Baby Boomers using the industrial structures “to leap into something else”
  • “Nihilism Exposed” (1955) — the artist “shifting the scenery of existence… in accordance with his infallible intuition of the cosmic weather”

Works by Bob Dobbs

Other Works

  • Wyndham Lewis, The Apes of God — where Cameron traces McLuhan’s sense of “aping”
  • Wyndham Lewis, Monstre Gai — the “monster” figure Bob invokes for media and the American swallowing of Canada
  • Wilson Bryan Key, Subliminal Seduction — McLuhan’s foreword on sex, death, and violence in advertising
  • Sigfried Giedion, Mechanization Takes Command — the mechanized slaughter of animals as a subtopic of what happens to people
  • William Gibson, Neuromancer — the “timid” cyberspace outrun by Web 2.0
  • Edgar Allan Poe, “A Descent into the Maelström” — the mariner who rides the vortex back up, “order in chaos”
  • James Joyce, Finnegans Wake — “an upgrade of the Book of Revelation”
  • Shoshana Zuboff — the Harvard scholar who named “surveillance capitalism”
  • Get Smart — the TV show whose enemy “KAOS” battles “CONTROL”

People

  • Bob Dobbs (media theorist, co-host)
  • Cameron McEwen (McLuhan scholar, co-host)
  • Marshall McLuhan (media theorist whose work anchors the whole reading)
  • Wyndham Lewis (modernist writer and painter; McLuhan’s “greatest tactile eye thinker”)
  • Wilson Bryan Key (author on subliminal advertising)
  • W.T. Stead (Victorian campaigning journalist at the hinge of “human interest”)
  • Eric Havelock (classicist on the alphabet and Greek consciousness)
  • Plato and Aristotle (the Greek concern with different ways of exercising the mind)
  • Arthur Kroker (theorist of “surplus flesh” and technology “coming alive”)
  • Sigfried Giedion (historian of mechanization)
  • William Gibson (cyberpunk novelist)
  • Shoshana Zuboff (theorist of surveillance capitalism)
  • William Irwin Thompson (New Age teacher of the five-phase schema of victims)
  • R. Murray Schafer (author of “The Tuning of the World,” the new Orpheus)
  • Norman Mailer (novelist: “Americans are obsessed with virtue”)
  • Friedrich Nietzsche (philosopher on morality one “can’t live without”)
  • Eric McLuhan (Marshall’s son, on the York University panel where Bob shouted “tetrad management”)
  • Henry Kissinger (named as “a tetrad manager”)
  • Francisco Varela and Humberto Maturana (Chilean popularizers of chaos/complexity)
  • Richard Nixon, Jimmy Carter, Ronald Reagan, Barack Obama, Donald Trump (US Presidents read as images)

Closing

By working p.79 into “tactility squared,” the session turns Bob’s densest coinage into a working claim — that the media “out of control” and the mind said to be its final victim are the same event seen from two sides.


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